To any student who’s ever told me that all I do is praise old movies:
The Outlaw (1943) is terrible, and I regret having watched it for my History of Scoring BACH-M254 class next term at MI. The only interesting thing about this film is that it’s in the public domain due to a copyright snafu. Although I’m reconsidering showing it.
Tchaikovsky’s Symphony #6 was used as the main theme – at first welcomed, and then it got annoying.
And Jane Russell’s mammaries aren’t that impressive.
It’s been a while, but isn’t To Have and Have Not and Key Largo pretty much the same film?
This is a strange little horror film I found in its entirety on YouTube…. starring Kim Novak, who replaced Rita Hayworth. This would have been her last film had she done it.
The trailer to Love and Politics was released today! This film will be making its debut at the Tribeca Film Festival, April 29th, 2012. For more information and tickets, please see: http://www.tribecafilm.com/filmguide/love_and_politics-film36933.html#.T4zgQelSSxo
directed by AZAD JAFARIAN
produced by ALI YAGHOUBI
executive producer MAHBOUBEH GHODS
music by LINUS LAU
sound supervisor MELISSA CORNS
camera and editing AZAD JAFARIAN
trailer cut by DANIEL LEE
I just found out that a film I had the pleasure of scoring has made it into the Tribeca Film Festival for 2012!!
Please follow @LaPmovie for details as they come and check it this link to purchase tickets. Thank you!
Was looking to buy a blu ray copy of My Fair lady and then came across this acticle from like 13 years ago. If I had the time right now I’d check it out to see if everything looks ok on my Sharp 60″.
I think the guy is literally being picky, but still, an interesting read. http://www.hometheaterforum.com/t/315932/a-few-words-about-my-fair-lady-in-blu-ray
Got to revisit Roman Holiday tonight. I was going to write a review, but this guy’s is better. http://fanapart.blogspot.com/2007/07/study-in-subtlety-roman-holidays-final.html
I will say that Wyler’s direction of the two leads was wonderful. I am curious how old Audrey Hepburn was playing in the screenplay because I didn’t buy her performance at first, but then she blew me away with the ending. The wordless expression on her face was truly remarkable. Can’t believe it’s taken me this long to watch this movie.
I am glad Dalton Trumbo finally received his credit posthumously. The Hollywood Blacklist unfortunately kept Trumbo out of the accolades for this film and Ian McLellan Hunter recieved the Oscar and credit that year. (there were two best screenplay Oscars for 1953 as a result of Hunter’s son not willing to give up the Oscar years after the fact.) At any rate, no American could have filmed Italy the way a native like Fellini could, (La Dolce Vita was made 7 years after this film) but nevertheless the magic is there. I think the subtlety saved this movie. There is a rare video below of her accepting the Oscar for this role. Among many great actresses, she beat out Ava Garnder in Mogambo and Maggie MacNamara in The Moon is Blue (a film I show in my class every other semester). The rumor was that Hepburn planted a kiss on the Oscar presenter in nervousness but maybe it happened off camera because it isn’t here.